Author Interview: K.M. Weiland, Part 2

Welcome back to our interview with author K.M. Weiland! Be sure to check out her new release, Behold the Dawn!

And without further ado, here's the second installment of our interview.

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Liberty Speidel: Do you have any rituals when you write?

K.M. Weiland: Yes, I’m actually very ritualistic. My normal pre-writing routine goes something like this: pray, scribble in my writing journal, outlining the scene I’m writing and addressing any possible stumbling blocks; read an article on the craft; proofread what I wrote the day before; glance over my notes from the character interviews I wrote in the outlining stage; and watch a thematically related music video on YouTube. Oh, and I eat craisins!


LS: What are your next projects?

KMW: I continue to edit my fantasy Dreamers Come, preparing it for publication. And I’m currently outlining another historical called The Deepest Breath, set during World War I in such far-flung settings as London, France, and Kenya. A writing buddy and I are also having fun with a story that answers the question, “What would happen if Robin Hood met Sleeping Beauty?”


LS: Do you have a trusted friend(s) who looks over your first (or second or third) draft for you?

KMW: I’m fussy about letting anyone read my work before I finish the first draft. Somehow, letting someone see or have any input on a story before it’s “finished” takes away some of the magic. However, once my first draft is completed, I have two very reliable critters, Linda Yezak and Adrie Ashford, who get to mark up all my mistakes. I rely on other people as well, but these two always get first whack at anything I write.


LS: How do you determine when a story is 'done' and you're ready to send it off to the publisher?

KMW: For whatever reason, I inevitably find that it takes me the time to complete a whole new project before I’m able to look at Project #1 with objectivity. So once I’ve finished a story, I toss the manuscript into the closet and let it sit there for the next couple years, while I’m working on something new. I’ll pull it out to edit it occasionally and run it past test readers. But not until Project #2 is safely finished will I pull the first one out and start buckling down to the task of discovering its worth as a publishable piece of work.


LS: Growing up, did you always know you wanted to be a writer?

KMW: I started writing when I was twelve because I didn’t want to forget the stories I told myself. But I never really considered it as a calling until much later. For most of my childhood and teen years, I was certain I wanted to train horses and barrel race.


LS: Who have been the person or persons who have influenced you most along your path?

KMW: Writing has always been a deep inner calling. I don’t think I could have helped but follow it, even if no had ever encouraged me. But my father was probably my most constructive guide. And, of course, everyone who ever took the time to encourage me is responsible for pushing me one step farther down the writing path.


LS: Which author(s) do you admire most and why?

KMW: Patrick O’Brian, Orson Scott Card, and Kristen Heitzmann top the list, for various reasons. O’Brian for his magic combination of subtlety, realism, and research. He’s one of those few and special authors who writes so seamlessly that you can’t even see through the cracks to discern his methods. Card gets props for his themes, his grit, and his fantastic afterwords, in which he explains his process in more depth than I usually dare to hope for. And Heitzmann continues to blow me way with her detailed prose. She’s a master of the “telling detail.”


LS: Is your family supportive of your writing career?

KMW: None of them are writers, or even necessarily readers of fiction, which makes me all the more blessed that they’ve never faltered in their support of my work. Even when they don’t understand all my crazy quirks, they still put up with me, love me, encourage me.


LS: When you're not writing, what do you enjoy doing?

KMW: You mean not writing is an option? I love being outside, taking walks with my black Lab, reading, horseback riding…


LS: What's the best piece of writing advice anyone's ever given you?

KMW: It’s not specific to writing and it wasn’t specifically aimed at me, but a Frank Wilczek quote jumps to mind: “If you don’t make mistakes, you’re not working on hard enough problems.”


LS: What kind of advice would you offer to new writers?

KMW: First and foremost: Just write! I see so many people wanting to put the cart before the horse. But revising, marketing, soliciting agents… practicing your autograph—none of that matters if you’re not consistently putting words on paper. I always encourage people to put aside a set amount of time (even if it’s only fifteen minutes) every day for their writing. And once you’ve set it aside, stick to it! What makes good writers isn’t talent so much as perseverance.






Thank you again for sharing with Word Wanderings! For all my readers, be sure to order a copy of K.M.'s books, Behold the Dawn and A Man Called Outlaw! I'm sure you'll enjoy both reads.


Until next time,

Author Interview: K.M. Weiland, Part 1

Today, I'm very pleased to welcome my good online-writing buddy, K.M. Weiland. I frequently link to K.M.'s blogsite, Wordplay, so she's not a stranger to Word Wanderings. Please join me in welcoming her! We'll be having a two-part interview, and trust me, you won't want to miss any of it, so be sure to come back on the 14th for the second part! First, we'll be discussing her latest release, Behold the Dawn.

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Liberty Speidel: Thank you for visiting Word Wanderings today, K.M. It's a joy to have you here! First off, please share a little bit about Behold the Dawn.

K.M. Weiland: Behold is an epic story of war, revenge, unexpected love, and the haunting secrets of a knight’s past. I think it has a little something for everyone, especially those who enjoy gritty medieval stories.


LS: Can you elaborate a bit on the characters?

KMW: The protagonist, a knight named Marcus Annan, is a sixteen-year veteran of the tourneys. After partaking in a tragic internecine war at an abbey where he was paying penance for the accidental deaths of his sister-in-law and her unborn twins, he retreats to the one thing he knew best: warfare. For the last sixteen years, right up until the story opens, he’s been on the run from his past, trying to blot it out in the violence and glory of the tourney fields. Along the way he becomes one of the most famous and feared tourneyers in Europe.

He’s a man who walks his own solitary path, and his only companion is a smart-mouthed, headstrong Scottish lad named Peregrine Marek, who became indentured to Annan after Annan saved him from prison and paid off a shopkeeper from whom Marek had been stealing. Marek was one of those characters that just popped off the page. He became a perfect foil for Annan’s grumpiness. I had lots of fun with their dialogue exchanges!

On his journey to and through the Holy Land, Annan also encounters a mysterious monk named the Baptist, who has both reform and revenge on the brain; Lady Mairead of Keaton, who is entrusted to Annan’s care after the death of her husband, one of Annan’s only friends; a Knight Templar named Warin, torn between his conscience and his duty; a very nasty Norman named Hugh de Guerrant; and Bishop Roderic of Devonshire, who was the abbot at the monastery Annan ran from sixteen years earlier.


LS: You set Behold the Dawn during the Third Crusade. What made you decide to set a book during this time frame?

KMW: Any story gets better when you put swords in it! Actually, the story was inspired by William Marshall, who is known as “the greatest knight who ever lived.” What originally caught my attention was his participation in the tourneys—the huge mock battles that were the predecessors of the slightly more civilized jousting tournaments. Tourneys originated in late 11th-century France as a form of heavy cavalry training and quickly evolved into a dangerous and hugely popular sport. It was surprisingly gladiatorial. I was intrigued by the violence and its effect on the men who participated. As I delved deeper into my research, I realized the Third Crusade would be at the story’s heart, since it would no doubt have attracted many of these tourneyers because of the Church’s promised of absolution to anyone who fought as a Crusader.


LS: Did you find it difficult to write a tourney scene? How did you go about trying to make it as authentic as possible?

KMW: I loved writing the tourney scenes, and I dearly wish I could have stuck more of them into the story. The book opens in the middle of a tournament in southern Italy, so I got to dive right into the strange world of the tourneyer. I researched tactics, setting, and such. I find it all so fascinating that it was hard to rein myself in!


LS: In doing research, what was one of or a few of the more surprising things you learned about this era?

KMW: I’m deeply fascinated by medieval history, so I found pretty much everything I discovered interesting. Perhaps what stuck with me most, however, was the general spiritual degradation of the period. Christianity, as a whole, was in one of the most benighted states in its history. Ignorance and superstition reigned among the people, while corruption and confusion undermined the Church. It was a very dark time, really.


LS: The history of the church in this area is also fascinating to me: to know where it came from to see it fall to the point it did. Do you have a favored resource or two you'd like to recommend for others interested in learning more about the era?

KMW: I highly recommend Jonathan Sumption’s The Age of Pilgrimage. Also Ermengard of Narbonne and the World of the Troubadours by Fredric Cheyette, The Crusades by Zoé Oldenbourg, The Story of Christianity by Justo L. González, and The Mediaeval Mind by Henry Osborn Taylor.


LS: Was there any point while you were writing this book that you really felt it wasn't going to come together? If so, how did you handle this quandary?

KMW: Oh, yes! I think I have this feeling in every story I write. The first fifty pages are always murder. I struggled with my beginning chapters for quite a while on this one, fiddling with story elements, throwing things out, only to drag them back in. I wish I had a magic pill for this, but the only solution I’ve found is simply to keep writing. Eventually, I always work my way out of the rut, and things start falling together.


LS: Do you budget your writing time? If so, how so?

KMW: I set aside two hours a day, five days a week for my fiction writing. It’s something I’m very religious about maintaining. If I don’t force myself to write every day, then nobody else is going to do it for me. I truly believe in the importance of regular writing. You have to treat it as a job and make a point of showing up on time every day. The really neat thing about this is that once you get in the habit of writing at a specific time every day, your brain accustoms itself to being creative—and procrastination and writer’s block are beaten before they even get out of the gates most days!


LS: How much research do you put into your books before you begin to write them?

KMW: Unlike many authors, I’m very regimented in the way I approach each story. I start by spending several months (or however long it takes) sketching my rough ideas, answering my “what if” questions, and filling plot holes as best I can. Then I interview my POV characters. Then I write an in-depth outline (usually at least one notebook’s worth). By that time, the story has pretty much taken shape, and I know what questions I’m going to need to answer in my research. I collect all the material I find and spend the next three months reading, taking notes, and filing my findings.


LS: You're primarily a historical novelist. So far, do you have a favorite era?

KMW: I’m admittedly a bit of a Mexican jumping bean when it comes to subject matter. I have so many things I want to explore that I have no intention of boxing myself into a particular genre or era. So far I’ve written about the 19th century Wyoming Territory (A Man Called Outlaw), the Third Crusade (Behold the Dawn), and a fantasy novel with a contemporary setting (Dreamers Come, yet to be published). But, all that said, I do have to admit to a special fondness for the Middle Ages. Its strange juxtaposition of nonchalant brutality and fairy-tale romance fascinates me endlessly. I’m sure I’ll write at least one more medieval story before I’m through!


LS: How about an era you would like to set a story in?

KMW: Asking me that is like turning a kid loose in a candy shop and telling him to pick just one sweet! However, I do have some tentative story ideas set, respectively in the early 20th century during the Dawn of Aviation, a contemporary time-travel fantasy, and a superhero story set roundabout the Regency era.



Thank you, K.M., for sharing today! Be sure to come back next week on the 14th for the second installment of our interview.

Until next time,